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Shape Figuration of Mesopotamian Symbols in the Islamic Art | ||
| AL-AMEED JOURNAL | ||
| Article 1, Volume 1, Issue 3, 2012, Pages 499-567 | ||
| Authors | ||
| Salwa Muhsin; Abidalhameed Fadhal Ja; | ||
| Abstract | ||
| The current research paper takes hold of the shape figuration of Mesopotamian symbols to expose the figuration of the Mesopotamian symbols practiced by the Mesopotamians in arts and literature, regarded as doctrines and Mesopotamian civilization and reviving into the Islamic arts. The research paper allots four chapters to have the target of the shape figuration of Mesopotamian symbols manifested; in the first,it manipulates the procedural entity, the problem,the importance, aim and stating the research terms. In the second, it sheds light on the theoretical entity bifurcated into two isles; the symbol in the Mesopotamian art and the traits of the symbols in the Islamic art. In the third, it focuses upon a sample from the Islamic art; wood and rock plate, wall pictures, sculptures and ornament that incarnate the symbols of the Mesopotamian art. The meant research exploits both description style and explication techniques throughout the processes. Ultimately, in the fourth the research paper concludes with the results and findings in the light of the theoretical principles, the research paper reaches, as they come relevant to the theoretical orbit; such results are as follows: The Shape Figuration of Mesopotamian Symbols existed in the artistic works incarnating the realistic nub of the conflict the Mesopotamians experience throughout ages in the Islamic arts. In time, the recommendations are as follows: The Islamic art is to attach great importance ...in great measure to symbols it has- to certify the cultural pollination and express the originality of the Islamic art. For further studies, the present research paper suggests inaugurating a study paying heed to shape figuration of Mesopotamia in the Greek arts. | ||
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