- All Journals
- Al-Qadisiyah University
- Basrah University
- Kirkuk University
- Mosul University
- The Iraqi Borad for Medical Specialization
- University of Anbar
- University of Technology
- Al Mustafa University
- Al-Zahraa University for Women
- Alnoor University
- Kunooz University
- Misan University
- Ninevah University
- Tikrit University
- University of Al-Hamdaniya
- University of Kerbala
Aesthetic Values of Geometrical Shapes in the Quranic Manuscripts | ||
| AL-AMEED JOURNAL | ||
| Article 1, Volume 2, Issue 1, 2013, Pages 155-228 | ||
| Author | ||
| Shawqi Mustafa Al-Moosawi | ||
| Abstract | ||
| A paper submitted to the Scientific Promotion Committee in Babylon University in partial fulfillment of the Requirements for Professorship Rank The present study tackles Aesthetic Values of Geometrical Shapes in the Quranic Manuscripts in the orbit of the Quranic manuscripts purporting the beauties of the Islamic decoration considered as the constituents of the decoration construction. In time, the Islamic artworks give much shrifts to abstractism in having visual scenes for certain vicinities, geographical and vegetable, taking a decorative harmonized system steeped in raving beauty. So the art of manuscript surges into being under the umbrella of its decoration and attaches importance to presuming decorative values reckoning on the systems of ornamental construction. The current paper consists of four chapters; the first takes hold of the problem and the need of it, the aesthetic discourse in the Quranic manuscripts surveying the construction of decoration in general and the geometry in the Islamic manuscripts in Iraq , in particular ; the aim of the study defining the aesthetic values for the geometrical shapes in the Quranic manuscripts in Iraq in light of abstractism in the art of manuscript decorating and explication of samples for geometrical decorations of unpunished Quranic manuscripts as of 1110 Hegira to 1226 Hegira counting upon the method of the content explicating in the orbit of aesthetic view theoretically and procedurally. The second chapter manipulates the theoretical side and bifurcated intro three sections; the first deals with the beauties of decorative shapes in intellectuality and philosophy giving visions to the importance of aestheticism in intellectuality, arts and philosophy from civilization to civilization; the second section covers the systems of the decorative shape and the essentials of construction paving the way to knowledge in the orbit of the decorative discourse in the Islamic arts technically, performatively and referentially ; the third section grasps the geometrical trend in the decoration of the manuscript. Third chapter purports the procedures, samples, strategy and the analysis of the samples that are five Quranic manuscripts from the Abbasid age . The fourth chapter reviews the results; the Muslim decorator suggests the principle of diffusion to the decorative constituents, vegetable and geometrical, due to the processes of simplification and construction the decorator uses in his products, that is why his decorative artworks gain model aesthetic values coming equal to the images of the originality . Furthermore, there are inference, recommendations and suggestions; the researcher recommends to put in force a further study ; the Symbol and its Patterns in the Quranic Manuscripts. | ||
|
Statistics Article View: 207 PDF Download: 84 |
||