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Clown personal connotations in the text of the Iraqi theater | ||
| Journal Of Babylon Center for Humanities Studies | ||
| Article 1, Volume 3, Issue 2, 2013, Pages 124-157 | ||
| Authors | ||
| Hassanein Hamza Abd Ali al-Zuhairi; Mohammed Fadhil Shnawa | ||
| Abstract | ||
| The Character of Clown ) in the system of literary pillar , from where imparted character drama as one of the characters, this as well as Mahmullac drama and processors of art in the theatrical text , so it formed a personal problem in the theatrical text , may be the engine in the event , which played the role of the Grim Hero or King , to adopt the components and its basic elements , they may allow it if centered in the line of drama , sometimes approaching the stereotypical characters . Thus formed character ( Clown ) privacy in the text differed essentially from the rest of the characters, as usual that each character play its template drama and significance , which is seeking access to it , since what is taken by the character of clowning , it is so formed another problem , no matter how varied aspects of masks in those personal in the text, there were many different concepts and vision of theatrical text to another, depending on the nature of the subject processor and assumed personal qualities , it is through it formed a milestone not only in the history of theater , but also in the history of human evolution ( anthropologist ) . | ||
| Keywords | ||
| Humanities; Arts; Theater | ||
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