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Beauty Icon in Andalusian Poetry | ||
| JOURNAL OF THE COLLEGE OF EDUCATION FOR WOMEN | ||
| Article 1, Volume 24, Issue 3, 2013, Pages 650-669 | ||
| Author | ||
| Hameedah Salih Al-Baldawi | ||
| Abstract | ||
| The embodiment poets of beauty and his statue photographer visible, was intended to first create an atmosphere myself comfortable in the introductions poems of praise, is part visual fun to perceptions other accompanied by, and the goals other is the enjoyment of self either retrieve the most beautiful picture or model based on memory, and make it live from New for reasons of nostalgia for places and times favorite. Or inclination to express awareness aesthetic that connects to the subject of beauty itself, which influential first in perception as the product of experience continuous rolled across eras literary successive in the Arab heritage in Andalusia, as your stop poets Menbhreinn before Beauty and ascended it while made him (the Kaaba), and Mama roam around and Hin , and exaggerated the paint while made him (kindergarten) reflect all varieties basil and flowers to explain attention in Enzetha Barjaúh, and happy self satisfaction atmosphere, and created his image unparalleled, Valmahbubh example is the image of beauty that wear God to them, and their country is a paradise: discharged Kawthar and poplar Hsanha. This has been achieved transfer this experience and aesthetic capabilities and special place for the creator, through various means was such exaggerated representation, and rhythm appropriate Naber parallel and good division and Altouchih with sophistication methods of exclamation and question and department and inspired the inherited religious and had a side psychological impact Albin in activating the imagination and refine say cognitive also. | ||
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