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The Stylistic Assumption of Presupposition in the Stories of dreams and Sufi Dignities | ||
| The Arabic Language and Literature | ||
| Article 1, Volume 1, Issue 18, 2018, Pages 239-262 | ||
| Authors | ||
| Nahidha Sattar Obed; Salima Swadi Zigheir | ||
| Abstract | ||
| The hypothesis of this research is based on that when the speaker makes speech , the liter has previous knowledge, therefore, the previous assumption is (it is something assumed by the speaker before he says something) and according to that the assumption is based essentially on the speaker but (Bellman) gives the (listener)the important role because the listener gives description to the speech and heirs its production and ibis of the basic principles in every dialogue or in contact process, there sore the mysticism used this theory for achieving religious or social goals or even personal by meridians who made used of the potation soar used long auger and what fancy that the listener has fits with the corresponded ,s fancy and its conforms with it-and the relation which lilacs the marred with its sheikh allows him to ask guest ions relates with previous assumption and which helps Kat it is the position which the sheikh has and it permits him to have right to that question besides he has the a balky to implement the order issued to him from the faction who asks the guest ion or order by it and this is what is called the assured assumption in which the contact process was achieved otherwise the assumption is unasserted which means he doesn’t achieve the contact process but the answer for this question will be ignored or reused or will be cynical, and there is the third type of the pervious lass ump ton which it is unrealistic assumption which deals with mysticism stories or it is said or showed by unrealistic deeds or un believed that is rare matter and this type of assumption is characterized by using up the mystical long wage potential for assuring that and make it real or near to reality and this remains in illusion or it will be un achieved . | ||
| Keywords | ||
| The Stylistic Assumption | ||
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