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Time in modern painting And the formation of post-modernism (Comparative analysis) | ||
| Journal Of Al-Frahids Arts | ||
| Article 1, Volume 2, Issue 15, 2017, Pages 131-186 | ||
| Author | ||
| Nibras wafa Badry | ||
| Abstract | ||
| Emanate problematic perception and awareness of the fact that time of time itself , and that the question of human this fact is a question as old as the human conscious . Time, after a fourth dimension of existence and dimensions Silanh lasting effect felt by a human , and this effect is tremendous pressure not able to disengagement from it. Thus, the fact and the nature of this concept is the never-ending debate over the philosophical thought of the dialectic of time itself. Is it time the subject is just a thought , or is it the same theme at the same time ? . Time to do exercise and its impact on all the existing material as practiced by the man himself , and artwork Pthakgah material is but the product of a human artist is trying to achieve through the conceptual time . Time has achieved in the work of art is a time of potential , sensory time ( Veziqi ) carries the artist for his will to be aware and consciousness by the receiver . There recipes for the concept of time seeks artist to be included in his artistic work . In the art of painting so that he can activate the visual elements Fine by qualitative characteristics , and their interaction with each other through relationships governed by , and thus movement. Is it time inherent in the work of art is a symptom of the movement of elements of plastic ? How do these elements to achieve the time inherent in the artwork ? This is in terms of perception and sensory awareness time ( physically ) . There is an interaction between this concept and the concept of promise default, mentally ( time for reflection ) , how is the interaction between time inherent in the artwork and the time of meditation ? . Often described as the Fine Arts after the spatial arts , and this is due to the physical structure of the population . However, the work of art is a product of human creativity involves the structure of the temporal and spatial another , is the art of drawing is where I am described as mostly Zmkane art or is it ? What is the nature of the relationship between time and space in the artwork ? . Assume the dialectic of time to embrace the concepts of intellectual perception and consciousness, and modernity , beyond thought , but a form of perception and awareness of time Bmvhoumeh thought of modernity itself. We have adopted a modern painting , beyond the product of cognitive thought to modernity , understood the supposed time of check in time inherent in the structure of the completed artwork. The shift in postmodern thought Btol in the adoption of other conceptual supposed to time we find the other is realized in time inherent in the structure of the completed artwork for the formation of post-modernism . Proceeding from the same time forms and Jdlath in philosophical thought , and building on what has been put out of questions was problematic research, the researcher starts from the assumption that the underlying Bkevite time and can not be presumed perception and consciousness apart from the shape and Taalgah movement and space. | ||
| Keywords | ||
| Time in modern painting; And the formation of post; Modernism | ||
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