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Compound shapes in the painting Contemporary Fine In Iraqi Kurdistan (Sulaymaniyah a model) | ||
| al-academy | ||
| Article 1, Volume 0, Issue 65, 2018, Pages 37-54 | ||
| Author | ||
| Jawad Hussain Nemat | ||
| Abstract | ||
| The research Consisted of four chapters, devoted the first chapter of it to the framework of public research, which included a presentation of the research problem and its importance and its goals and boundaries and definition of terminology, and research was disclosed technical features and terms of reference and content property of complex forms in the paintings of contemporary Iraqi Kurdistan. The limited research on the paintings, which includes forms, vehicle and executed by artists of the city of Sulaimaniya in the Kurdistan region of Iraq, during the time period (1980-2008), to the large number of artistic and maturity technically within this period, the second chapter of it to the theoretical framework, which included (5) Investigation of the : - the entrance to the complex form - the root of the historical forms of the vehicle and their references in the ancient arts of intellectual - shapes the vehicle and its reference property in the Middle Ages fee. - forms of modern painting in the vehicle - vehicle shapes in Kurdish Fine Arts. While the third chapter is devoted to action research, has been followed the descriptive analytical approach to search for suitability with the property in question and his goals. Included a sample search on (20) panel has been selected intentionally from between the plates the research community according to specific criteria, were analyzed those paintings and descriptive under the tool for analysis included (7) units of analysis were derived from indicators conceptual framework as well as expert opinions and relevant sources and researcher personal experience and extract the tool surface and the sincerity of the units are: 1 - the type of configuration used in the painting - optical scanning the painting - shapes the vehicle used in the painting - the relations between the elements and forms of painting -the artistic source and intellectual content of the compound forms in the painting - Technology Show used in the painting - the technique used in painting. While the fourth chapter is devoted to research and present the results of the most prominent of which: 1 - installed different vehicle shapes (human + animal) or (human + plant) and in other paintings, depending on the artist and experience the richness and fertility of its memory image imagination. 2 - Dominated by the shapes of human compound with other elements, forms a system installed in the paintings. 3 - a historical reference and the natural environment and the Kurdish folklore and political events, religious beliefs, the basic references and the intellectual content of the forms in the structure of composite panels, 4- the vehicle shapes- that used in the paintings, owned recipe originality and local Kurdish identity in a property installed. And ended this chapter a set of conclusions and recommendations and proposals. | ||
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