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Intellectual features of modern designs in fabrics | ||
| al-academy | ||
| Article 1, Volume 0, Issue 65, 2018, Pages 203-218 | ||
| Author | ||
| Faten Ali Hussein | ||
| Abstract | ||
| Adopted modern formulations applied comprehensive configurations design of fabrics and methods of new and accelerated as a result of the awareness of developments in intellectual, artistic and technical, which became the reorganization process and the formulation of the concepts of innovation as a necessity in the context of narratives of intellectual movements and artistic trends that accompanied the modern of transformation of the concepts requires learning the law the engine of language design in all characteristics and trends of its time. The first chapter discusses the research problem to answer the question following "how to handle the data property of modernity in the design of fabrics that are governed by the ranges and the wide range of concepts? The aim of the research" to identify mechanisms of modernity and the impact of features of intellectual designs in fabrics, and adopted the limits of research propositions property created by modernity within the stages and the evolution of tactics in the design of fabrics. The second chapter containing A conceptual framework is contained.first: the impact of modernity in the intellectual content of the fabric designs. Second, modernity and technical transformation. Procedures and identified the research methodology and the research community and appointed by the analysis of fixed and units based on this chronology in the presentation of artistic trends of modernity and caused influential in the intellectual and practical implications for the design of fabrics. The research found the most important The results , as follows 1. Reflection of the idea of reality through the application of the technical vocabulary of form to see the new combined the mechanism of thinking and employment forms and substance of show. 2. Formulations applied design, interacting with the awareness of mental and cultural constants did not exceed the approved design fabrics. The most important conclusions: 1. The presence of systematic intellectual and scientific conscious investigator working as arguments driving the design 2. Modernist thinking is based on the identification of knowledge and cultural integration as part of community relations with the configuration of a regular design. 3. Contents reflect the intellectual and social reality as the value of renewable deliberative designs in fabrics. 4. I mean to evoke notions of consciousness in time, is a reflection of its contemporary environment. | ||
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