Aesthetics receive in fabrics designed according to the Op Art movement

Hameed Yaseen, Roaya

	Aesthetics receive in fabrics designed according to the Op Art movement
al-academy
Article 1, Volume 0, Issue 66, 2018, Pages 19-34
Author
Roaya Hameed Yaseen
Abstract
The theme of aesthetics Receive puts us in front of an important phenomenon which is the use of art Op Art design fabrics, that played a big role in the development of public taste and the dictates us the era of the progress and development necessities of community and civilization, this matter pushed the researcher to look deeply in these variables aesthetic that highlighted art Op Art at the head of modern productions, as well as searching in the aesthetics of receipt of the intellectual and philosophical perspectives and Modernism. The research has included three chapters, first chapter of the research problem and its significance, purpose and borders also determine its terms, the research problem has been identified in the fact that design fabrics shroud autonomous and has distinctive characteristics between other art worthwhile and tracking in order to attain goals Supreme Aesthetics receive while looking in particular about the design fabrics The importance of research From here came to confirm the intellectual necessities to the aesthetics of reception and its impact on the evolution of the design and fabrics as well as deepening the level of cultural perception of the theories and concepts related to conception to combine all the driving potential mental development. The research aims to reveal the aesthetics of reception in fabrics designed according to movement ops Art. The research identifies objectively the study of the aesthetics of receiving designs fabrics designed according ops Art movement, and particularly for the period from 1960 to spatially and from its own place of designs of fabrics which is Europe , The second chapter included two sections: Eat First research aesthetics receiving and the dealing of the necessities of exchange sensory and cognitive and cultural cooperation between product design and the receiver, either the second topic addressed the aesthetics of reception in fabrics designed according to the movement of Op Art, as the researcher showed the basic features art Op Art and it was trying to achieve during the past few decades. The researcher has chosen the through a number of fabrics designed in European countries according to the Op Art movement and then has to analyze , Then the researcher came to the most important results of the analysis which was including the use of visual illusion add new aesthetic to fabrics design, also highlighted the distance aesthetic that lies between product design and gustatory reception the recipient, and also raised fabrics designed applied concept for approved expectation through use of many new technologies the discretion of the interaction between product design and the uses expected in the mind of the recipient

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