This research studies the technical characteristics of the
Islamic poetry in both sadir Al-Islam and Al-Amawi eras.
The research has included seven requirements: 1- The
technical construction of poem. 2 Pronunciation. 3
Meanings. 4 Ideas. 5 Images and imaginations. 6
Quotation. 7 Repetition. The requirements are followed
by a conclusion in which the most important results,
reached by the research, have been recorded. Perhaps the
most prominent results are:
Some of the poets in the two mentioned eras were keen to
abide by the old technical construction of the Arabic
poem, in terms of introduction, body, and conclusion.
They have varied introductions, for example ruined,
flirtatious, and wined introductions. They were also
abided by some of the old ways in their poems openings,
for example questioning, appeal, oath, and getting started
with (would that), (told), (ask) and others. Other poets,
who were numerous, have released from the obligation by
traditional introductions. They also liberated from talking
about the experience of she-camel and camel, and desert
and journey. They replaced the traditional introductions
by new religious introductions, and turned into opening
their poems with the opening approaches mentioned
above.
The Islamic poetry, in its managing era, has been
enriched with a wide range of Islamic words and terms,
for example faith, atheism, revelation, the Quran,
prophecy, paradise, hell, piety, jihad, resurrection,
martyrdom, and other terms. Other new meanings, which
have not been known before, have also emerged, for example trust in God, turn to him, go to him in weal and
woe, oneness, repentance, and others. These meanings
have given the poetry the smoothness and clarity, and
extricated it from the complex and strange terms.
The Islamic ideas has spread in the Islamic poetry, for
example (the ownership and judgment are for God alone,
nobody repels his order, no change to his judgment),
(resurrection, judgment, retribution), and (the guidance
and aberration come from God).
The Islamic poetry has included different approaches that
acquired by the poets from the Holy Quran, and their
world and environment.
The poets in the two mentioned eras have quoted verses
of the Holy Quarn and texts of prophetic hadith. They
also turned into repetition, where they may be affected by
the style of Quarn which often adopted redundancy for
the report and confirmation. The poets follow this
doctrine in order for confirmation, comprehension and
persuasion. The repetition has been considered as a
general phenomenon in Al-Amawi poetry because the
poets often turned to it. |