Traditions of improvisation in music and singing the Iraqi Altqasim sample

Yaseen Jasim, Firas

	Traditions of improvisation in music and singing the Iraqi Altqasim sample
al-academy
Article 1, Volume 0, Issue 66, 2018, Pages 67-82
Author
Firas Yaseen Jasim
Abstract
The improvising musician of the basic features in the music and singing the Iraqi and which ones are unique Altqasim who became style an important and unique for each performer musician to be proficient in the performance of Altqasim on his instrument music is creative art depends on stockpiling auditory accumulated through functional testing of the performer، which begins during the improvisation Altqasim and facial types of multiple، including restricted، including free all its traditions of its own. as the Altqasim intervention in all shapes music and lyrics of Iraq، and plays on all musical instruments Arab and European research aims to detect the tradition of improvisation in music and singing the Iraqi Altqasim a model، the researcher analyzed the different models of Altqasim according to the types of Altqasim associated with them and singing accompanied by a rhythm with or without singing، including Altqasim free individual. And found the researcher that Altqasim that accompany the singing be constrained to relate singing، and Altqasim accompanied by the rhythm are not linked by an organic or comply with pulses، it is also found to be Altqasim free individual is the most free and unrestricted، and the most creative and color and sound races music and allows the performer imagination and the transition between the shrines and paths melodic different

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