| The aim of this study is to detect environmental impacts as a key element in aesthetic composition. And to identify the technical carried out, and then make a comparison in the stylistic and technical side of their work. The limitation of this study is (the work of artists artist Salah Anani and Salman artist Abbas, which included the Islamic dome as an essential element in the composition of the period (1960-1990 AD), which appeared in the exhibition halls and cultural publications, as well as to the technical sources). Following this introduction, the first chapter, which included two sections, the first section titled impact the environment in the artist's life. The second part, however, contained the first two axes Me study style artist Salman Abbas, but the second intake study style artist Salah Anani. The second chapter procedures for research and analysis models appointed, while the third chapter addressing the most important results, including the emergence of exploits environmental such as domes Islamic and Social in paintings artists (Salah Anani, Salman Abbas), and that each artist of them approach his special presence certainly pillar in the form of productive art such as vocabulary and shapes that belongs the artist, or express them was a prominent appearance processed humanitarian heritage in general and which were a variety of forms processed, through the diversity of subjects given by that attribute Then margins and said the most important sources adopted in this study. Aesthetic, environment, reflection, graphic, modern |