Icon in the Caricature Poetic Text  Semiology for the Abbasid era Poets.

Obyyat, Aty; Chamshidy, Lila; GhanyIrawanyZadh,

	Icon in the Caricature Poetic Text Semiology for the Abbasid era Poets.
Adab Al-Kufa
Article 1, Volume 1, Issue 21, 2018, Pages 95-118
Authors
Aty Obyyat; Lila Chamshidy;
Abstract
The most important areas through which we can enter to the semiology area and subsequently to icons is the formed Poetic Text based on a caricaturing (cartoon) structure. In this descriptive, verbal structures, the signs which create a subjective image is called subjective images icon which are created by the perception system and the metaphorical relationship between the real image and Imaginative images. This paper investigated poetic caricaturing semiology in which the relationship between signifier and signified was based on analogy and metaphor and in that language, it provide them in a subjective method.in poetic caricature, icon as a subset of semiology images caricaturing complete its mission through perception structures of language. This paper also investigates the most important forms of icon in caricaturing poetry in the singular and combined images and in the kind of simile, metaphor and irony in order to find that most text which we called them "a mere poetry" are complex text.Including caricaturing poetry, in which the richness of icons refers to the richness of its dealer aspects in providing beautiful images in poetry of the Abbasid period poets; however,they have adopted the new kind of language which attempt to get out of the norms (styles) to create a common beautiful caricaturing pictures. Keyword:"semiology", "Icon ", "Caricaturing text ", " Poet "," Abbasid era ".
Keywords
Icon in the Caricature

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