Finding A Voice: Men in Eudora Welty's

Taher, Hashim; Isra,

	Finding A Voice: Men in Eudora Welty's "Flowers for Marjorie" and "Where is the Voice Coming From"
Al-Adab Journal
Article 1, Volume 0, Issue 110, 2018, Pages 95-106
Authors
Hashim Taher;
Abstract
The American writer Eudora Welty (1909-2001) is often labeled as a Southern Gothic fiction writer whose most memorable characters are women, though some of them are grotesque and ugly. Her men, on the other hand, appear to be powerless and marginalized. In short stories like "Flowers for Marjorie" and "Where is the Voice Coming From" the protagonists are grotesquely violent, lonely, and searching for recognition. In her autobiography, One Writer's Beginning (1983), Welty describes her initiation into the literary world. She divides her book into three sections that respectively carry the titles of "Listening", "Learning to See " and "Finding a Voice". In the first section she realizes that listening to stories told by family, friends, and teachers, is the first thing she needs in order to establish her literary career. In "Learning to See" section she learns, through traveling, new things about her parents. She also discovers her calling and finds her form: the short story. In the final section she describes how she succeeds in expressing herself through art, namely, fiction. In her writing, it seems that Welty has unconsciously employed what I call for the lack of a better term, "the formula of recognition". In "Flowers for Marjorie" and "Where is the Voice Coming From" she variously uses the "listening, learning to see, and finding a voice." The aim of this paper is to investigate how Welty uses this formula in these two least famous among her short stories, where the main male characters fervently try to find a voice.

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Finding A Voice: Men in Eudora Welty's "Flowers for Marjorie" and "Where is the Voice Coming From"