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THE Dismounting's of Jack Dryda and its Usage in Theatre Scene | ||
| al-academy | ||
| Article 1, Volume 0, Issue 67, 2018, Pages 81-98 | ||
| Author | ||
| AHMED SALMAN ATIA | ||
| Abstract | ||
| The research falls in four chapters, the first chapter study the methodology which includes the problem of the study which represented by the following question; what are the aspect of jack Dryad's dismounting approach? And how to employ these aspects in the theatre scene? The aim of the study is to find out the aspects of dismounting approach of jack dryad and its usage in the theatre scene. Definition of basic terms are also mentioned in this chapter. Chapter two study the (theoretical background) in two sections; the first treated the "the concept of Dismount in". according to jack Dryad's strategy which consist of ( Demolition of duet or logic Centering , separation , repetition , Origin trace ) all these material come in chapter two under the title (Dismounting and theatre scene ) in which the researcher study how the directors '' Robert Wilson '' and '' Richard Former'' deals with the theatre scene and employ the most aspects of Dismounting approach . the chapter ended by the directors of theoretical background and the previous study were mentioned in chapter three which include the population of the study which consist of plays show . The sample depends on '' Women No'' of the director Bashar Abdul- gain '' In chapter four contain the results of the study and conclusion and references being used | ||
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