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In a Poetic Text Atka Al Khazraji a Model. | ||
| Journal of Literature Ink | ||
| Article 1, Volume 1, Issue 10, 2018, Pages 75-98 | ||
| Author | ||
| Hafedh Mohamad Abbas AL-Shamari | ||
| Abstract | ||
| Longer hair more creative Literary genres Belong to the past and the preservation of its assets Because it crosses For the same rights within the psychological experience associated with Betterment which granted individual attributes express onistic Feel free Aberm aagaf its historic Features Characterized by repetitive the poet repeats his emotions and the exploits of the past there fore, me find the relevant document between past and present as well as the testimony of poets heritage for the purpose of creating a new vision depending on the shifts imposed by the circumstancs of life. To see that this modern poem in side burning glare of personal an in accordance with base ad venture does not stop at a certain point in the text to take the poem wider range of values through a commit ment Alvcish, social and political as well as side which took an important role in the crystallization of the intellectual concept in the frame work of the frame work of the methodology and the meaning of the poetic that the speech of the poet Atka Khazraji as peaking by employing capillary action stylistic dimensions to build style, which contributed to emergence levy spacious horizons. That a poet Atka Khazraji towards a new phase technology, and cultural accomplished poet who codified but is actually installed to power the other being Anhalt culture of Althagaa at other spottdd from which many of the cultural Mndzha. It has reflected the bright suggestive images between Iraq and poets through the ages in melancholia passed by laden with pessimism and frustration. Arison optimal characteristics and traits reflected in the spacious despite texts written by the poet did engorgement attention of critics and scholars, but within narrow. Any limits or selective glorification transit or som phenomena in Alakhtab poetic and this tends to be the inability of a woman to occupy the space in the center of mass, which occupied the leading Nazek Angles because of the e consequences of the concentration Because of the consequnes of the concentration of poetry about the other institutions in exchange of self- marginali zation of poetry when a large number of Iraqi poets. | ||
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