1.

The Secularization of Christian Imagery in Dylan Thomas's Poetry

Pages 3-9
Qasim Salman Sirhan; Ph.D

2.

The Latin Origin in Alexander Pope’s Imitation of Horace’s Satire II, ii : A Homily in Praise of Rural Simplicity

Pages 9-19
Dr. Areej M. Jawad Al-Kafaji

3.

Sublimity in Paradise Lost

Pages 20-27
Maha Tahir Eesa; ph.D

4.

Reading LiteratureA Dialectic of Schemata

Pages 28-37
Basim Neshmy Jeloud

5.

Politeness Theories in Conversations with Special Reference to Cather's Short Story "On the Gulls' Road": A Pragmatic Analysis.

Pages 37-68
Angham Abdul Kadhem

6.

ARCHAISM AS A STYLISTIC MARKER INSELECTED POEMS BY EDGAR ALLAN POE

Pages 69-76
BALSAM SALEH ABOOD

7.

Morphological Deviation as a Stylistic Marker in E.E. Cumming's Poetry

Pages 76-85
Sami Basheer Matrood

8.

Linguistic and Extralinguistic Study of Evidentiality In English With Reference to Fitzgerald'sThe Great Gatsby

Pages 86-98
SAWSAN KAREEM

9.

Time, Tense, and the Verb Form in Arabic and English: A Contrastive Study

Pages 99-112
Abdul-Hussein Kadhim Reishaan; Ph. D

10.

The Psychological Bases of Lawrence'sSons and Lovers: Some Educational Implications

Pages 114-127
Wiaam Abdul-Wahab Taha Al-Bayati; Ph. D

11.

Image of Woman in Eliot’s“The Waste Land”

Pages 128-138

12.

Investigating Mukarovsky’s Structuralist Aesthetics inthe Translations of Dylan Thomas’ “Light BreaksWhere No Sun Shines” and “Do Not GoGentle into That Good Night”

Pages 139-147
Rabi Amir; Maha Tahir; Lecturer; ph.D


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